Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Ten years ago, when I reviewed the first three books of Gesualdo’s madrigals in the recording from the Gesualdo Consort,...
Reviewed by Fabrice Fitch in issue: 12/2016
Whether through pragmatism, perfectionism or a combination of both, Maurice Duruflé produced three different versions of his Requiem. The 1947...
Reviewed by Alexandra Coghlan in issue: 12/2016
The second instalment of Hansjörg Albrecht’s Braunfels survey improves markedly on its predecessor (8/16). First, it consists entirely of original...
Reviewed by Tim Ashley in issue: 12/2016
Two of Bach’s most sublime solo cantatas sung by a singer of Philippe Jaroussky’s lyrical beauty and poise is without...
Reviewed by Lindsay Kemp in issue: 12/2016
This latest release by one of today’s greatest lutenists features the music of, as Jakob Lindberg writes, ‘arguably the greatest...
Reviewed by William Yeoman in issue: 12/2016
Paderewski’s fame as a pianist was on a par with that of Liszt and Anton Rubinstein, a fact that has...
Reviewed by Patrick Rucker in issue: 12/2016
With the exception of the Organ Symphony and the Vision of Christ-Phoenix, organists have shown little enthusiasm for the music...
Reviewed by Marc Rochester in issue: 12/2016
There’s surprisingly little solo Schubert in Lars Vogt’s discography, so this Ondine disc is welcome. What it reveals, however, is...
Reviewed by Hugo Shirley in issue: 12/2016
It seems strange that my first thought on hearing Louis Schwizgebel’s Schubert was that it feels insufficiently Beethovenian – or...
Reviewed by Hugo Shirley in issue: 12/2016
As the Italian guitarist, composer and musicologist Angelo Gilardino writes in his booklet-note, ‘I am not concerned about whether my...
Reviewed by William Yeoman in issue: 12/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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