Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Relistening to the Emerson Quartet’s Gramophone Award-winning Bartók cycle for September’s Classics Reconsidered, I was reminded of how, as recently...
Reviewed by Richard Bratby in issue: 12/2016
It’s not exactly a recipe for cohesion – a collection of little-known works from Armenia, England and Switzerland, representing the...
Reviewed by Hannah Nepil in issue: 12/2016
Writing in 1916, Yeats spoke of ‘Art whose end is peace’. Now, 100 turbulent years later, mezzo-soprano Joyce DiDonato returns...
Reviewed by Alexandra Coghlan in issue: 11/2016
With this instalment of music from the Eton Choirbook, the Choir of Christ Church Cathedral sets out to rival The...
Reviewed by Fabrice Fitch in issue: 11/2016
This generously filled disc contains no fewer than eight premiere recordings among its 22 tracks. They reveal that Gabriel Jackson...
Reviewed by Malcolm Riley in issue: 11/2016
Kerll’s Missa pro defunctis (published 1689) was dedicated to Emperor Leopold I, and its preface reveals that the composer wanted...
Reviewed by David Vickers in issue: 11/2016
In recent years it has become commonplace to attribute the 1747 Forqueray Pièces (issued in two versions – one for...
Reviewed by Julie Anne Sadie in issue: 11/2016
The unusual item here is Saint-Saëns’s Second Piano Trio of 1892, of which the Fidelio Trio give a performance of...
Reviewed by Geoffrey Norris in issue: 11/2016
These performances by the Swiss period-instrument ensemble Die Freitagsakademie are so full of character and incident that one can almost...
Reviewed by Andrew Farach-Colton in issue: 11/2016
It’s perhaps rather unorthodox to begin a review by dealing with the accompanying sleeve notes, but still, here I go,...
Reviewed by Charlotte Gardner in issue: 11/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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