Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Recent research shows that, though divorce rates are falling in the UK, there’s an upward trend among the over-50s. The...
Reviewed by Harriet Smith in issue: 11/2016
Bezuidenhout has recorded Mozart’s complete solo piano music as well as a couple of later concertos, all well receieved in...
Reviewed in issue 11/2016
Dmitri Hvorostovsky’s career has been built on the twin pillars of Italian and Russian repertoire. His very first album paired...
Reviewed by Mark Pullinger in issue: 11/2016
Ignore the feel-good title and the fluffy booklet-note, and what you have here is actually a serious recital from an...
Reviewed by Hugo Shirley in issue: 11/2016
The second instalment of Naxos’s live Hong Kong concert Ring is more compelling than last year’s respectable but careful Das...
Reviewed by Mike Ashman in issue: 11/2016
To see any of Rachmaninov’s three one-act operas staged in the opera house is a rare enough event but to...
Reviewed by Mark Pullinger in issue: 11/2016
Music in England between Purcell’s death and Handel’s arrival 15 years later remains a black hole except to a handful...
Reviewed by David Vickers in issue: 11/2016
Pavol Breslik, the Tamino on the Simon Rattle/Robert Carsen DVD of Die Zauberflöte from Baden-Baden (EuroArts, 12/13) here presents a...
Reviewed by Richard Lawrence in issue: 11/2016
The previous instalments in Theodor Currentzis’s survey of the Mozart-da Ponte operas tended to be enthralling and exasperating by turns....
Reviewed by Hugo Shirley in issue: 11/2016
First performed in Monte Carlo in 1895, La Jacquerie is almost invariably described as Lalo’s last opera, though the bulk...
Reviewed by Tim Ashley in issue: 11/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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