Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Listening to Janusz Olejniczak’s two-disc set of Mazurkas is like stepping back in time, to an age when interpretation of...
Reviewed by Patrick Rucker in issue: 11/2016
Soon to be 25, Sophie Pacini is a prodigious pianist, muscular in a way that suggests she’d be happy to...
Reviewed by Patrick Rucker in issue: 11/2016
Fortunately for us at least two very individual young musicians are currently recording Bartók’s solo piano music, players who go...
Reviewed by Rob Cowan in issue: 11/2016
This disc is an unofficial sequel to British pianist John Tilbury’s album ‘For Tomasz Sikorski’, which I reviewed in Gramophone’s...
Reviewed by Philip Clark in issue: 11/2016
This disc is aptly titled. In terms of their playing, Belgians Roeland Hendrikx and Liebrecht Vanbeckevoort tackle standards of the...
Reviewed by Mark Pullinger in issue: 11/2016
Despite their title, Antonio Soler’s Seis Conciertos de dos organos obligados are most definitely works for two harpsichords. All but...
Reviewed by Lindsay Kemp in issue: 11/2016
These national stereotypes are nothing if not persistent. In direct contrast to the cool, tight, conscientious tone offered by Baiba...
Reviewed by Andrew Mellor in issue: 11/2016
By my reckoning the Quatuor Debussy have now recorded eight of the 15 Shostakovich quartets, and they sound fully at...
Reviewed by David Fanning in issue: 11/2016
Three leading period instrumentalists play three of the finest chamber works of the early 19th century, and the disc is...
Reviewed by David Threasher in issue: 11/2016
Here are two different takes on much-loved Mozart scores, both with fair claims to authenticity. One is an arrangement of...
Reviewed by David Threasher in issue: 11/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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