Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
La Nuova Musica, anticipating the 2017 Lenten season, have coupled lamentations by two turn-of-the-century (17th to 18th) French composers –...
Reviewed by Julie Anne Sadie in issue: 10/2016
For starters, try Est (‘Evening’, tr 27), a setting of a poem about the dying moon, where night has come,...
Reviewed by Rob Cowan in issue: 10/2016
Late Bach always presents fascinating insights into how the composer distils his craft, leaning towards galant sensibilities without compromising his...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2016
Like all the best ideas, this one is simple. To draw attention to the world’s mistreated children, Robert Irvine asked...
Reviewed by Richard Bratby in issue: 10/2016
During the course of 28 years beginning in 1955, the great Soviet pianist Emil Gilels toured North America 12 times....
Reviewed by Patrick Rucker in issue: 10/2016
The French pianist Lucas Debargue was snapped up by Sony after the 2015 Tchaikovsky Competition. Not because he won it,...
Reviewed by Harriet Smith in issue: 10/2016
Telemann’s solo violin music is never likely to challenge Bach’s for popularity – not these days, anyway. Back in his...
Reviewed by Lindsay Kemp in issue: 10/2016
It’s interesting how certain pianists known for advocating thorny large-scale 20th-century works also champion the exquisitely wrought tonality of Mompou’s...
Reviewed by Jed Distler in issue: 10/2016
What an enterprising programme from the Israeli pianist Einav Yarden. She eschews the obvious, choosing six of Haydn’s middle-period sonatas...
Reviewed by Harriet Smith in issue: 10/2016
If you have never sampled any Godowsky – or even if you are a Godowskyphobe (I’ve encountered a few over...
Reviewed by Jeremy Nicholas in issue: 10/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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