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GOLDMARK Königin von Saba

Die Königin von Saba was the work that put its Hungarian-Jewish composer on the operatic map at its first performance...

Reviewed by Tim Ashley in issue: AW16

Hidden Music of the Russian Church

This is an astounding recording, on account of both the repertoire selected and the quality of the singing. The choir...

Reviewed by Ivan Moody in issue: AW16

KRENEK Reisebuch aus den österreichischen Alpen

Ernst Krenek wrote his Reisebuch – the text as well as the music – in a few weeks in the...

Reviewed by Tim Ashley in issue: AW16

BEDNALL Stabat Mater

This is the fourth Regent CD to feature music by David Bednall (b1979), one of Britain’s leading choral composers. The...

Reviewed by Malcolm Riley in issue: AW16

Pierre Hantaï: SCARLATTI Keyboard Sonatas

That this is the fourth volume of Scarlatti sonatas by Pierre Hantaï reminds us that he is no newcomer to...

Reviewed by Lindsay Kemp in issue: AW16

CHOPIN Mazurkas

Chopin is far and away the most popular among his coevals, Mendelssohn, Schumann and Liszt, and much of his music...

Reviewed by Patrick Rucker in issue: AW16

MENDELSSOHN String Quartets Nos 3 & 5

Any quartet that wins a Grammy for a disc of Ligeti quartets gets my attention, and the Boston-based Parker Quartet...

Reviewed by Harriet Smith in issue: AW16

DEAN Shadow Music

This superb new release in BIS’s series devoted to Brett Dean takes its name of the longest piece in the...

Reviewed in issue AW16

COPLAND Symphonies

In contrast with the first instalment of Chandos’s series of Copland’s orchestral music (3/16), which focused on the popular ballets,...

Reviewed by Christian Hoskins in issue: AW16

Arabella Steinbacher: Fantasies, Rhapsodies and Daydreams

Were someone to ask me to suggest a disc to introduce them to the violin, I might well steer them...

Reviewed by Jeremy Nicholas in issue: AW16

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