Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Back when the stampede was on and all the original-instrument orchestras were eager to record fortepiano concertos prior to the...
Reviewed by Patrick Rucker in issue: 10/2016
What a pleasure to report the near-simultaneous release of two magnificent new Hammerklaviers by a pair of internationally recognised artists,...
Reviewed by Patrick Rucker in issue: 10/2016
Geneva-born Fabrizio Chiovetta presents three contrasted suites in this Bach recital. He’s particularly compelling in the least frequently performed of...
Reviewed by Harriet Smith in issue: 10/2016
‘They speak the language of these composers effortlessly and naturally.’ So says the booklet-note of Latvian sisters Lauma and Baiba...
Reviewed by Andrew Mellor in issue: 10/2016
Modern Dutch solo brass players have a knack for programming. For Wim Van Hasselt it’s the creative outlet from various...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2016
When Mozart’s earliest ‘sonatas for keyboard with violin accompaniment’, K6 9, appeared in Paris in 1764, father Leopold wrote of...
Reviewed by Richard Wigmore in issue: 10/2016
Trio Koch – Luxembourg-based violinist Philippe Koch, his pianist son Jean-Philippe and violinist daughter Laurence – take pride in championing...
Reviewed by Hannah Nepil in issue: 10/2016
‘Lanner, Strauss and their waltzes dominate everything,’ wrote Chopin from Vienna in 1830. Not so much these days. If Johann...
Reviewed by Richard Bratby in issue: 10/2016
Fritz Kreisler took his only string quartet very seriously indeed, and the Artis Quartet follow suit. Cellist Othmar Müller digs...
Reviewed by Richard Bratby in issue: 10/2016
The music of the Russian composer Marina Khorkova mines the idiom associated with Helmut Lachenmann and developed by Mark Andre...
Reviewed by Liam Cagney in issue: 10/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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