Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Ortwin Stürmer is the pianist for whom Horațiu Rădulescu wrote much of his piano music, works of which Stürmer made...
Reviewed in issue AW16
The Concerto for Strings (1965) and Glosses on Themes by Pablo Casals (heard here in its original string orchestra version...
Reviewed by Andrew Farach-Colton in issue: AW16
With this disc, Benjamin Frith finally completes his cycle of Field’s piano concertos. The Seventh Concerto was made back in...
Reviewed by Harriet Smith in issue: AW16
Kazuki Yamada’s new album forms a tacit tribute to the Orchestre de la Suisse Romande’s founder Ernest Ansermet, since the...
Reviewed by Tim Ashley in issue: AW16
Competition could scarcely be fiercer in Petrushka. Unlike Vladimir Jurowski’s recent offering, this one opts for the 1947 version. The...
Reviewed by David Gutman in issue: AW16
This is the third recording of John Corigliano’s Symphony No 1, the American composer’s enraged and elegiac response to the...
Reviewed by Andrew Farach-Colton in issue: AW16
Richard Walthew’s A Mosaic in Ten Pieces (with Dedication) is a long name for a short work. So try this....
Reviewed by Richard Bratby in issue: AW16
Joshua Bell and Steven Isserlis are distinct musical personalities yet they work together extremely well in Brahms’s interpretatively perilous Double...
Reviewed by Andrew Farach-Colton in issue: AW16
This disc presents a satisfying if somewhat quirkily planned programme. Near the opening of The Miraculous Mandarin ballet Salonen takes...
Reviewed by Rob Cowan in issue: AW16
There is not much Bach in the Capella Savaria discography but this Brandenburg Concertos set follows on from a violin...
Reviewed by Lindsay Kemp in issue: AW16
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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