Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The ups and downs characterising Christian Leotta’s recent Beethoven sonata cycle spill over into his Diabelli Variations, which has a...
Reviewed by Jed Distler in issue: 09/2016
Midori Seiler’s recording of the unaccompanied Partitas of JS Bach (released five years ago – 4/11), had a number of...
Reviewed by Caroline Gill in issue: 09/2016
Following her iconoclastic role-reversing 2008 Meistersinger (Opus Arte, 3/11), Katharina Wagner now gets a novel focus on Tristan und Isolde...
Reviewed by Mike Ashman in issue: 09/2016
Stradella’s serenata La Circe was commissioned by Princess Olimpia Aldobrandini, a Florentine whose deceased Roman husbands had been members of...
Reviewed by David Vickers in issue: 09/2016
This is the fourth in the series of Mozart opera recordings from the Festspielhaus in Baden-Baden masterminded by Yannick Nézet-Séguin...
Reviewed by Richard Lawrence in issue: 09/2016
Soon after the past year’s flurry from Jacobs (Harmonia Mundi, 10/15), Nézet-Séguin (DG, 8/15) and the Glyndebourne production by David...
Reviewed by David Vickers in issue: 09/2016
Do you stay in the dream or wake up? Anticipating the red or blue pill choice offered to the hero...
Reviewed by Neil Fisher in issue: 09/2016
Under the Mediterranean sun, a young soldier falls hard for a free-spirited beauty – and sacrifices honour and happiness in...
Reviewed by Richard Bratby in issue: 09/2016
It was slightly unfortunate timing that Glyndebourne scheduled the UK professional premiere of Poliuto just six months after Opera Rara...
Reviewed by Mark Pullinger in issue: 09/2016
The difficulty in writing about the piano playing of Martha Argerich is that it is now, and always has been,...
Reviewed by Patrick Rucker in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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