Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The Archbishop of Canterbury’s scribbles on his order of service reveal that the music did not go smoothly during the...
Reviewed by David Vickers in issue: 08/2016
These two works were composed either side of Castelnouvo-Tedesco’s emigration to the United States in 1939 following Mussolini’s introduction of...
Reviewed by Tim Ashley in issue: 08/2016
The manuscript of André Campra’s Messe des morts in the Bibliothèque Nationale does not reveal when or why it was...
Reviewed by David Vickers in issue: 08/2016
Hansjörg Albrecht’s survey of Braunfels’s orchestral Lieder gets off to a strange start, since just over half of its first...
Reviewed by Tim Ashley in issue: 08/2016
Composed between 1906 and 1909, cast in three parts and lasting some three hours and 20 minutes, Granville Bantock’s thrillingly...
Reviewed by Andrew Achenbach in issue: 08/2016
What happens when the expansive romantic visions of an ‘exotic’ Scotland such as one finds in Beethoven, Rossini, Mendelssohn or...
Reviewed by William Yeoman in issue: 08/2016
In the booklet interview accompanying her latest CD, Vanessa Benelli Mosell asserts that ‘Scriabin and Stockhausen shared the ambition to...
Reviewed by Jed Distler in issue: 08/2016
John Cage’s mantra that Erik Satie’s structures were based around ‘lengths of time rather than harmonic relations’ (as quoted in...
Reviewed by Philip Clark in issue: 08/2016
Soon after his shared second-prize success in the 1982 Tchaikovsky Competition, Peter Donohoe recorded a splendid Prokofiev Sixth Sonata for...
Reviewed by Jed Distler in issue: 08/2016
Lucille Chung’s new Poulenc disc is doubly welcome. To begin with, Chung is a startlingly original pianist whose solo work,...
Reviewed by Patrick Rucker in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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