Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Perhaps the highest form of Baroque flattery was all-out copying, and with Bach all’italiano the young recorder player Simon Borutzki...
Reviewed by Charlotte Gardner in issue: 08/2016
By the fourth volume of a series delving into the forgotten repertoire of 16th-century Poland, you might expect The Sixteen...
Reviewed by Alexandra Coghlan in issue: 08/2016
There is much to be celebrated here as early music scholarship inspires joyful performances from the Choir of Gonville &...
Reviewed by Edward Breen in issue: 08/2016
There’s nothing icthyological, or even marine, about the contents, so the title ‘Bouillabaisse’ is a puzzle; the name of the...
Reviewed by Richard Lawrence in issue: 08/2016
This marks the debut recording of the Tulipa Consort, founded by the experienced Dutch soprano Johanette Zomer, whose discography has...
Reviewed by David Vickers in issue: 08/2016
Along with most of his other narrative works, Schütz’s three Passion settings date from the last decade of his life....
Reviewed by Fabrice Fitch in issue: 08/2016
‘Slow and soft’ were dominant epithets in David Patrick Stearns’s review of Florian Boesch’s earlier Schubert recital (Hyperion, 3/14). In...
Reviewed by Richard Wigmore in issue: 08/2016
‘Possibly of Irish origin’, says Grove, but the booklet-note states firmly that Henry Madin (1698-1748) was the son of a...
Reviewed by Richard Lawrence in issue: 08/2016
In this third instalment of the series, The Orlando Consort present a kind of minimalist Machaut. Most of the songs...
Reviewed by Fabrice Fitch in issue: 08/2016
Jehan de Lescurel’s known songs are all in a single manuscript from the second decade of the 14th century, and...
Reviewed by David Fallows in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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