Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Think of Massenet and you think of Werther, Manon and the ‘Méditation’ from Thaïs – and not necessarily of piano...
Reviewed by Jeremy Nicholas in issue: 08/2016
Since its inception in 1987, the Naxos Liszt series has released a number of superb recordings. The names Arnaldo Cohen,...
Reviewed by Patrick Rucker in issue: 08/2016
Stephen Heller (1813 88) sits below the salt and on these showings at least he is unlikely to win a...
Reviewed by Jeremy Nicholas in issue: 08/2016
Not one but two sets of Field nocturnes have come my way this month (Ewa Pobłocka’s period-instrument set is reviewed...
Reviewed by Harriet Smith in issue: 08/2016
Baroque guitarists Francesco Corbetta and his pupil Robert de Visée were masters of chiaroscuro, of nuance, suggestion and – unintentionally...
Reviewed by William Yeoman in issue: 08/2016
Angela Hewitt leaves few stones unturned in projecting the linear specificity of Beethoven’s style. In Op 31 No 1’s first...
Reviewed by Jed Distler in issue: 08/2016
Bookended by the great Prelude and Fugue in E flat, the third part of the Clavier Übung appeared in 1739...
Reviewed by Jonathan Freeman-Attwood in issue: 08/2016
For those who enjoy the spectacle of breathtaking fingerwork and dazzling articulation, who marvel at impeccable accuracy at incredible speeds...
Reviewed by Marc Rochester in issue: 08/2016
Following his 1980-83 studio cycle with the Dresden Staatskapelle (Eurodisc, currently on Sony), Marek Janowski’s Pentatone set with the Rundfunk-Sinfonieorchester...
Reviewed by Mike Ashman in issue: 08/2016
‘This opera is a feast’ was Stendhal’s judgement on Il viaggio a Reims, though this sophisticated entertainment, written at the...
Reviewed by Richard Osborne in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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