Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Intentionally or not, Masaaki Suzuki’s first foray into 20th-century repertoire on disc recalls that of Neville Marriner, whose 1960s pairing...
Reviewed by David Gutman in issue: 07/2016
The first instalment of Strauss from Andrew Davis and the Melbourne Symphony Orchestra had the Four Last Songs as its...
Reviewed by Hugo Shirley in issue: 07/2016
Premiered in Norfolk, Connecticut, in 1915 by the pianist Harold Bauer, Stanford’s Piano Concerto No 2, actually composed in 1911,...
Reviewed by Jeremy Dibble in issue: 07/2016
Thanks to the focus on Scriabin’s music that came with the run-up to the centenary of his death last year...
Reviewed by Geoffrey Norris in issue: 07/2016
This is more a clinician’s view of the Schubert’s Great C major Symphony than a poet’s; less an act of...
Reviewed by Richard Osborne in issue: 07/2016
Rival Ravel recordings are in abundance at the moment, with various discs of individual works and a couple of sets...
Reviewed by Geoffrey Norris in issue: 07/2016
‘As if God the Father had thrown down pieces of a mosaic from the floor of heaven and asked me...
Reviewed by Andrew Mellor in issue: 07/2016
Frank Peter Zimmermann is no stranger to Mozart’s violin concertos. He first recorded them in 1984, when he was 19...
Reviewed by David Threasher in issue: 07/2016
It’s already apparent from a very early stage of The Hebrides that Douglas Boyd has thought carefully about instrumental balance...
Reviewed by Peter Quantrill in issue: 07/2016
No wonder Paul von Klenau got sniffy about the musical life of his native Denmark. In his adopted Germany, Klenau...
Reviewed by Andrew Mellor in issue: 07/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.