Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
With the exception of the Firebird Suite, which he never recorded commercially, these live performances feature works central to Böhm’s...
Reviewed by Christian Hoskins in issue: 07/2016
It may seem brave (or perhaps foolhardy) for a relatively new ensemble and a youngish soloist/director – Sebastian Bohren (b1987)...
Reviewed by David Threasher in issue: 07/2016
‘As you can see, Martha and I are not alone,’ announces Daniel Barenboim to a packed Teatro Colón as three...
Reviewed by Richard Bratby in issue: 07/2016
The Manuscript XIV 726 of the Minorite Monastery in Vienna is one of the most important sources of Austrian Baroque...
Reviewed by Charlotte Gardner in issue: 07/2016
Back in 2011, four years after Reinhard Goebel’s Musica Antiqua Köln had disbanded, they issued a surprise new premiere recording...
Reviewed by Charlotte Gardner in issue: 07/2016
Paul Juon (1872-1940)enjoyed a brief vogue in Gramophone during the 1930s thanks to a set of the Chamber Symphony (1907)...
Reviewed by Peter Quantrill in issue: 07/2016
Time was that Ravel’s String Quartet went with Debussy’s on disc the way Mendelssohn’s Violin Concerto went with Bruch’s. The...
Reviewed by Richard Bratby in issue: 07/2016
Fans of Youri Egorov will be delighted with these two previously unreleased programmes. The first is an April 1980 recital...
Reviewed by Patrick Rucker in issue: 07/2016
The ‘French’ seem to be the least favoured on record among Bach’s keyboard suites, yet also perhaps the ones most...
Reviewed by Lindsay Kemp in issue: 07/2016
The sacred and the worldly rub shoulders in Nicky Spence and Malcolm Martineau’s ‘Paradis sur terre’, which opens with war-wounded...
Reviewed by Tim Ashley in issue: 07/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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