Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Benjamin Godard’s symphonic works met with a mixed response during his lifetime and slipped from view, like so much of...
Reviewed by Tim Ashley in issue: 07/2016
The Dutch composer Jan [Pieter Hendrik] van Gilse (1881 1944) is new to me, but I see that CPO with...
Reviewed by Jeremy Nicholas in issue: 07/2016
This is Christian Thielemann’s third recording of Bruckner’s Seventh Symphony, albeit the first on CD, the other two versions being...
Reviewed by Christian Hoskins in issue: 07/2016
Both of these performances were recorded live during Pinchas Zukerman’s final season as music director of the Orchestra du Centre...
Reviewed by Richard Osborne in issue: 07/2016
Various bizarre happenings surround this creditable new release: a contemporary review of unparalleled savagery from a French online source, an...
Reviewed by Mike Ashman in issue: 07/2016
Bach purists should look away now. Leopold Stokowski’s 1927 orchestration of the D minor Toccata and Fugue calls for double...
Reviewed by Richard Bratby in issue: 07/2016
Listening to the extended orchestral opening that launches this disc, darkness shot through with piercing piccolo, you might be hard-pressed...
Reviewed by Harriet Smith in issue: 07/2016
If there is a happier 20th-century piano concerto than Hans Gál’s of 1948, I don’t know what it is. Playing...
Reviewed by Guy Rickards in issue: 07/2016
It’s a brave soul who decides to reorchestrate Sea Pictures, one of Elgar’s most miraculously scored, ineffably touching and entrancingly...
Reviewed by Andrew Achenbach in issue: 07/2016
Mariss Jansons’s first recording of Dvořák’s Eighth Symphony (made with the Oslo Philharmonic in 1992 for EMI) conveyed an admirable...
Reviewed by Andrew Farach-Colton in issue: 07/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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