Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
I was in the audience the night John Corigliano’s The Ghosts of Versailles had its premiere at the Metropolitan Opera...
Reviewed by Philip Kennicott in issue: 06/2016
In the 1770s the gloomy, mist-shrouded musings of the Gaelic bard ‘Ossian’ – later revealed as the century’s greatest literary...
Reviewed by Richard Wigmore in issue: 06/2016
Before and after the turn of the 17th century, hundreds of collections of Airs sérieux et à boire were published...
Reviewed by Richard Lawrence in issue: 06/2016
Václav Luks’s reconstruction of Zelenka’s Missa Divi Xaverii, edited painstakingly from the damaged autograph manuscript, has just been published by...
Reviewed by David Vickers in issue: 06/2016
Right from the start, this Schwanengesang has two major virtues that should come as no surprise to anyone aware of...
Reviewed by Hugo Shirley in issue: 06/2016
Is this set for lovers of Purcell or Britten? Or perhaps both? Now that we have ample opportunity to hear...
Reviewed by Richard Fairman in issue: 06/2016
Henri Du Mont was a key figure at the court of Louis XIV. Born in Flanders in 1610, he moved...
Reviewed by Richard Lawrence in issue: 06/2016
Few organists specialising in the great oeuvres of 17th- and 18th-century North Europe find such satisfying complicity between the instrument,...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2016
Last October it was announced that a copy of Telemann’s 12 fantasias for solo viola da gamba, known to have...
Reviewed by Charlotte Gardner in issue: 06/2016
With few exceptions, Poulenc’s piano music is so seldom programmed that hearing a representative selection almost seems a discovery. The...
Reviewed by Patrick Rucker in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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