Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Repertoire, orchestra, producer (Andrew Keener) and venue (Liverpool Philharmonic Hall) prompt rosy memories of Vernon Handley’s distinguished March 1992 sessions...
Reviewed by Andrew Achenbach in issue: 06/2016
Weinberg’s Cello Concerto is one of those products of the time of the Soviet Union’s 1948 anti-formalism campaign that went...
Reviewed by David Fanning in issue: 06/2016
Gravesend is an unlikely location for a Russian opus 1, but the Andante tranquillo of Rimsky-Korsakov’s First Symphony was composed...
Reviewed by Mark Pullinger in issue: 06/2016
Stéphane Denève’s recorded legacy from the time he was at the helm of the Royal Scottish National Orchestra is primarily...
Reviewed by Geoffrey Norris in issue: 06/2016
Brave is the soul who dares to allow him or herself to be compared to the great Mozart pianists of...
Reviewed by David Threasher in issue: 06/2016
These two works by the Azerbaijani composer Faradzh Karaev (b1943) date from 2004 (Violin Concerto) and 2009 (Vingt ans après...
Reviewed by Arnold Whittall in issue: 06/2016
Originally fashioned as a test piece for the 1932 National Brass Band Championships, John Ireland’s A Downland Suite (expertly retooled...
Reviewed by Andrew Achenbach in issue: 06/2016
The name of the Norwegian Ørjan Matre (b1979) should be familiar to British audiences following last year’s Proms performance of...
Reviewed by Guy Rickards in issue: 06/2016
‘Clear cut and faultless’ was Brahms’s judgement on Karl Goldmark’s Rustic Wedding Symphony, first performed in 1876. Though its bucolicism...
Reviewed by Tim Ashley in issue: 06/2016
These days we remember Czerny principally as a student and friend of Beethoven and a composer of numerous piano studies....
Reviewed by Harriet Smith in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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