Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Less may be more but more is even better – or so Benjamin Beilman seems to think. This 26-year-old American...
Reviewed by Hannah Nepil in issue: 06/2016
When the seasoned artistry of the Takács Quartet blends with the thoughtful brilliance of Marc-André Hamelin, a rare alchemy occurs....
Reviewed by Patrick Rucker in issue: 06/2016
This pairing of the C minor Quartet and Piano Quintet comes a couple of years after the Brodsky’s first disc...
Reviewed by Hugo Shirley in issue: 06/2016
Though recorded five months earlier, this disc closely resembles a concert the Danish Quartet gave in October, marking the beginning...
Reviewed by Andrew Mellor in issue: 06/2016
Considering the cultural links that existed between Russia and France at the turn of the 20th century, it is no...
Reviewed by Geoffrey Norris in issue: 06/2016
Reading Julian Barnes’s Shostakovich-based novella The Noise of Time (Jonathan Cape, 4/16), I couldn’t help thinking how the unpredictable Prokofiev,...
Reviewed by David Gutman in issue: 06/2016
Dux’s Penderecki edition continues apace with these two impressive surveys of concertos for string and wind instruments, both of them...
Reviewed by Ivan Moody in issue: 06/2016
It was said that George Gershwin would strive to write four songs first thing in the morning – to get...
Reviewed by Edward Seckerson in issue: 06/2016
This disc of orchestral works is the latest in a string of recordings that have appeared since the time of...
Reviewed by David Threasher in issue: 06/2016
This download-only release from Peral brings together the various instalments of Daniel Barenboim’s third Bruckner cycle in a single format...
Reviewed by Christian Hoskins in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.