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Review of IVES Piano Sonata No 2

IVES Piano Sonata No 2

The American pianist Tzimon Barto arrives at this new disc of Charles Ives’s Concord Sonata via recordings of Schubert’s D894,...

Reviewed by Philip Clark in issue: 05/2016

Review of HAYDN Piano Sonatas Nos 31, 33, 47 & 59

HAYDN Piano Sonatas Nos 31, 33, 47 & 59

Barcelona-born Enrique Bagaría has chosen four of Haydn’s most striking keyboard sonatas and talks in an engaging booklet essay about...

Reviewed by Harriet Smith in issue: 05/2016

Review of ELLINGTON Piano Works

ELLINGTON Piano Works

Luigi Palombi’s disc of Duke Ellington sets up a discussion of those ever-problematic issues raised whenever classical pianists co opt...

Reviewed by Philip Clark in issue: 05/2016

Review of ELGAR Organ Sonata. Vesper Voluntaries.

ELGAR Organ Sonata. Vesper Voluntaries.

In 2013 Oxford’s Merton College unveiled its new Dobson organ, a three-manual, 44 stop instrument, built in the US and...

Reviewed by Malcolm Riley in issue: 05/2016

Review of DVOŘÁK From the Bohemian Forest. Dumky

DVOŘÁK From the Bohemian Forest. Dumky

Dvořák left a rich legacy of piano duets, wrenching the genre clean out of the salon. As Artur Pizarro and...

Reviewed by Harriet Smith in issue: 05/2016

Review of Dutilleux Piano Sonata No 1

Dutilleux Piano Sonata No 1

Recordings of Dutilleux’s early, substantial and rather difficult First Piano Sonata are no longer rare events, especially in his 2016...

Reviewed by Jed Distler in issue: 05/2016

Review of CHOPIN Ballades. Mazurkas.

CHOPIN Ballades. Mazurkas.

Yundi first came to public attention in 2000 when, as simple Yundi Li, he became the youngest-ever winner of the...

Reviewed by Jeremy Nicholas in issue: 05/2016

Review of BRAHMS Chaconne. Klavierstücke. Fantasies

BRAHMS Chaconne. Klavierstücke. Fantasies

Along with many others who heard Anna Vinnitskaya’s recording of Prokofiev and Ravel concertos after her 2007 victory at the...

Reviewed by Patrick Rucker in issue: 05/2016

Review of Liberte. Egalite. Sororite

Liberte. Egalite. Sororite

The latest album from Diana Ambache’s own label explores six works written between 1861 and 1952, and quietly reminds us...

Reviewed by Tim Ashley in issue: 05/2016

Review of BIBER Imitatio

BIBER Imitatio

The preoccupation with representation (or, perhaps more accurately, mimesis) in instrumental music preoccupied Baroque composers from the time of Monteverdi...

Reviewed by Fabrice Fitch in issue: 05/2016


 

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