Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
As the principal exporter of a steady stream of distinguished conductors, Finland has much to be proud of. The wonder...
Reviewed by David Gutman in issue: 3/2011
Harty was responsible for two premieres of the Walton First Symphony. He conducted the unfinished version comprising three movements in...
Reviewed in issue 12/1993
This is an enchanting programme of chamber music by the youngest son of J. S. Bach, Johann Christian. Two of...
Reviewed by Nicholas Anderson in issue: 5/1988
The most thrilling performance of this symphony I have heard in years! In 40 years to be precise, since I...
Reviewed in issue 5/1985
Here’s a major virtuoso not yet in her mid-twenties simply letting her hair down – and what lovely hair, as...
Reviewed by Peter Dickinson in issue: 3/2001
In a rich period of Beethoven cello and piano issues, this latest contender offers highly distinctive performances, played with enormous...
Reviewed by DuncanDruce in issue: 6/2005
Riccardo Chailly’s credentials as a Mahlerian cannot be faulted, not least on disc. Once more, where his own admirable orchestra...
Reviewed by Alan Blyth in issue: 5/2003
An earlier HMV issue (ASD3076, 6/75) has Perlman playing two of these same concertos, the D minor and the Double...
Reviewed by Edward Greenfield in issue: 1/1985
This long recital of Schumann Lieder is a bit of a curate’s egg as regards both songs and interpretation. As...
Reviewed by Alan Blyth in issue: 1/2005
What television channel today would dare to put out a regular live programme in which singer and accompanist give an...
Reviewed by Patrick O'Connor in issue: 6/2003
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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