Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
''To boldly go where no man has gone before'' is undoubtedly brave, but Jean-Marc Luisada shows another kind of courage...
Reviewed by Christopher Headington in issue: 12/1994
Mozart's symphonic and instrumental music, to say nothing of the operas, sometimes makes us forget his sacred choral music (even...
Reviewed by Christopher Headington in issue: 5/1991
Conlon Nancarrow moved from the US to Mexico City in 1940 largely because of his communist affiliations. He spent the...
Reviewed by Peter Dickinson in issue: 12/2004
After hearing these lively and in some respects provocative performances it’s easy to understand why the American Miró Quartet (recipients...
Reviewed by Rob Cowan in issue: 11/2005
Volume 28 in Hyperion’s absorbing series‚ The Romantic Piano Concerto‚ unearths two gloriously worthwhile rarities in superb performances. To briefly...
Reviewed in issue 6/2002
For the first Vienna performance of the Mass in C—at what you might call a modest little divertissement which also...
Reviewed by Lionel Salter in issue: 11/1987
In February I reviewed the Keller's account of these two quartets and noted that there are nearly 20 versions of...
Reviewed by Christopher Headington in issue: 4/1995
Lutoslawski's Third Symphony was commissioned by the Chicago SO and first performed by them under Solti in 1983, but only...
Reviewed by Arnold Whittall in issue: 8/1993
This is an imaginative coupling of two major figures in black American music. A modern recording of the Still is...
Reviewed by Peter Dickinson in issue: 4/1993
In spite of being among the most popular of the world's piano trios, Dvorak's Dumky Trio is by no means...
Reviewed in issue 5/1986
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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