Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Honegger's 'dramatic oratorio' Jeanne d'Arc au bucher used to be better known than it is today, and there are reasons...
Reviewed by Christopher Headington in issue: 12/1993
Byrd's Latin motets and English anthems (around 200 works in all) form, to quote Rutter's excellently thorough annotation, ''the larger...
Reviewed by John Duarte in issue: 4/1990
It is five years since Chandos issued Volume 1 of their Dallapiccola series but the wait has been well worthwhile....
Reviewed by Arnold Whittall in issue: 5/2010
The piano dominates in both scores and one can scarcely complain if it does so in the recording. There were...
Reviewed in issue 3/1985
Perhaps harpists make the best composers for the harp; or perhaps they just have the knack of writing the music...
Reviewed in issue 7/1985
Andre Campra was one of the leading figures on the French musical stage between Lully's death in 1687 and Rameau's...
Reviewed by Nicholas Anderson in issue: 9/1992
Boris Lyatoshinsky, who died aged 73 in 1968, was one of the most distinguished Ukrainian composers of his time, and...
Reviewed by John Warrack in issue: 11/1994
My previous encounter with Joby Talbot (b1971) left me impressed by his accomplished scoring and effective use of economical forces,...
Reviewed by Jeremy Nicholas in issue: 8/2005
This comes from the the 10 - LP Brahms Edition Lieder set which Jessye Norman originally shared with Fischer-Dieskau. She...
Reviewed by John Warrack in issue: 8/1985
As the longest season in the liturgical calendar, Trinity is represented by the largest corpus from within Bach’s cantata oeuvre,...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2009
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.