Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Zukerman's earlier account of this Concerto, I recall, divided opinions sharply. Some Elgarians (myself included) found it all a mite...
Reviewed by Andrew Achenbach in issue: 1/1994
After a period of absence Hindemith seems to be coming back into favour, gramophonically, at any rate, with a number...
Reviewed by Ivan March in issue: 2/1988
Decca is clearly intent on putting its weight behind Nico Muhly (30 this year), this third release of his music...
Reviewed by Richard_Whitehouse in issue: 9/2011
“Liszt was here” is a badge of honour that could probably be claimed by most centres of civilisation in 19th-century...
Reviewed by John Steane in issue: 10/2009
Mélanie Bonis was born in Paris in 1858. A student of Franck and Guiraud, Debussy and Pierné were her peers...
Reviewed by Guy Rickards in issue: 6/2008
Don’t be too embarrassed if you haven’t heard of Handel’s Nabal. Nor had Handel. This is one of the oratorios...
Reviewed in issue 10/2002
There have been several excellent recordings devoted to Cage's earlier music for piano and prepared piano. The Etudes Australes, for...
Reviewed by Peter Dickinson in issue: 7/1993
Jean Richafort is one of many composers who might be known under the collective name‚ ‘School of Josquin’. The notion...
Reviewed in issue 10/2002
Rysanek's long and distinguished career, already encompassing some 45 years has not been that well documented on commercial CDs, but...
Reviewed by Alan Blyth in issue: 2/1995
When the violin sonatas of Debussy and Ravel present such clear parallels, both of them late works, cryptically elusive and...
Reviewed by Edward Greenfield in issue: 3/1994
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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