Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This new cycle, Opus Arte’s first CD release, was assembled from performances of the current Bayreuth stage production recorded during...
Reviewed by Mike Ashman in issue: 1/2010
The Thomas Thamar organ in Framlingham, formerly in Pembroke College, Cambridge, was built in 1674, and all the Great registers...
Reviewed by Lionel Salter in issue: 11/1983
While for obvious reasons this wasn't billed as ''The Final Concert'' at the time, there must have been quite a...
Reviewed by Stephen Johnson in issue: 12/1992
These recordings appeared in impeccable French LP transfers two years ago and their transfer to the new medium is most...
Reviewed by Robert Layton in issue: 9/1987
Completed in April 1930, Bax’s Winter Legends, a large-scale sinfonia concertante for piano and orchestra containing some of his most...
Reviewed by Andrew Achenbach in issue: 8/2005
The Shanghai Quartet’s rich, warm, beautifully blended sound is a real asset in Brahms, as is the impressive command, all...
Reviewed by DuncanDruce in issue: 7/1998
Billed as the most expensive musical to hit London’s West End (with costs exceeding £10 million) Disney’s Beauty and the...
Reviewed by mp kennedy in issue: 13/1997
A ''muted welcome'' was all I could give Serebrier's RCA disc. Now it is time for the full fanfare treatment...
Reviewed in issue 4/1989
It was Dorati who made the pioneering first complete recording of The Nutcracker, also for Mercury, in 1953. This is...
Reviewed by Ivan March in issue: 9/1992
It was the enthusiastic reception of its “Entre nous” set of rare Offenbach excerpts (11/07) that persuaded Opera Rara to...
Reviewed by Andrew Lamb in issue: 5/2010
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.