Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It should perhaps be explained, for readers unfamiliar with the term, that Jugendstil refers not to the youthful style of...
Reviewed by Lionel Salter in issue: 4/1992
I'm sure every record lover knows that feeling when you play a record for the first time and somehow know...
Reviewed in issue 1/1989
Reviewed by Alan Blyth in issue: 1/2003
This disc needs no recommendation for readers familiar with Marc-Andre Hamelin's previous recordings (Hyperion's recent Henselt/Alkan issue, 8/94, or Hamelin's...
Reviewed by Michael Stewart in issue: 3/1995
Much as any new acquaintance with one of the Soviet Union’s most rewarding mavericks is to be welcomed, this issue...
Reviewed by David Fanning in issue: 8/2010
In the theatre Marguerite is a show that is about halfway there. Its biggest handicap – as is so often...
Reviewed by Edward Seckerson in issue: 1/2009
I share RF's pleasure in this performance, particularly in respect of the boys' clarity, mentioned in the original review (it...
Reviewed in issue 10/1986
As I imagine, every music-lover knows by now that the Amadeus Quartet has ended its long and distinguished concert and...
Reviewed by Christopher Headington in issue: 1/1989
These two offerings include much of Victoria’s best-known music. His massive publication of 1585, the Officium Hebdomadae Sanctae, was never...
Reviewed by Fabrice Fitch in issue: 11/2005
The Dutch cellist, Pieter Wispelwey, both live and on disc, has been building a formidable reputation, showing his versatility, switching...
Reviewed by Edward Greenfield in issue: 6/1996
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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