Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
With this film, made in 2003 when the guitarist was 70 and had recently retired from the concert platform, Bream...
Reviewed by William Yeoman in issue: 1/2007
Sooner or later there must be a new recording of Doktor Faust: it is an opera great enough to need...
Reviewed by Michael Oliver in issue: 8/1989
Michel Piquemal sings in and directs this uneven Poulencian melange, full of spirit and ferocious tempos (Le bal masque clocks...
Reviewed in issue 9/1998
Angela Hewitt in Bach is bringing Hyperion a distinguished series. If you enjoy Bach on the piano, and may merciful...
Reviewed by Stephen Plaistow in issue: 3/2001
Skrowaczewski's dull and sluggish performances of Brahms's Second Symphony and the Tragic Overture gave me little pleasure when I reviewed...
Reviewed in issue 3/1988
Goose-pimples throughout: magical opera: adorable performance. If that is too telegraphic an account, it still says what matters most. The...
Reviewed in issue 4/1992
Not just a commemoration of a live event, but a vivid demonstration of collective virtuosity. Gerard Grisey’s Talea has an...
Reviewed by kYlzrO1BaC7A in issue: 10/1998
Don't judge a book by its cover, or indeed this disc by the familiar look of most of its programme....
Reviewed by John Duarte in issue: 7/1991
Those wanting a new digital recording of Tchaikovsky's B flat minor Piano Concerto could well be satisfied with this, but...
Reviewed by Ivan March in issue: 6/1986
There is a natural inclination to suppose that the last of a composer’s operas may represent the summation of his...
Reviewed by Stanley Sadie in issue: 11/2003
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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