Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Twenty-one Hungarian Dances straight off, all in duple metre, doesn’t perhaps make the best programme; you may find, as I...
Reviewed by DuncanDruce in issue: 8/2008
You can tell a lot about Nicolas Bacri’s Im Volkston from the performing directions – ruvido (rough), entusiastico, con bravura,...
Reviewed by rnichols in issue: 9/2003
The four large Venetian orphanages for girls are best remembered in musical history for Vivaldi’s long association with the Ospedale...
Reviewed by David Vickers in issue: 2/2009
The 19th century saw some famous collaborations between composer and violinist, and this programme neatly brings together two of them....
Reviewed by DuncanDruce in issue: 10/2010
It may be paradoxical, but it’s a good general rule that, the less theatrical an opera, the more a recording...
Reviewed by Arnold Whittall in issue: 1/2001
Three substantial symphonies, sturdily performed and lucidly recorded, for under a fiver almost disarms criticism. At the rate they're going...
Reviewed by Richard Wigmore in issue: 9/1991
As is his wont‚ Harnoncourt goes his own way. This is not an Aida to satisfy those used to conventional...
Reviewed by Alan Blyth in issue: 11/2001
A record produced by an enthusiast is always welcome; and Gordon Reynolds has devised a particularly varied programme which makes...
Reviewed in issue 5/1986
Following his wonderful recording of Bach's most intimate organ pieces (the six Sonatas, BWV525–30 on CDA66390, 11/90), Christopher Herrick has...
Reviewed by Marc Rochester in issue: 4/1991
Of the three last Tchaikovsky symphonies Klemperer was, perhaps surprisingly, most at home in the Fifth and least convincing in...
Reviewed by Ivan March in issue: 5/1985
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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