Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Here we have something special. Olaf Bar, the young East German baritone who won the Walter Gruner Lieder prize at...
Reviewed in issue 6/1986
These two young artists give engaging performances of both sonatas. It’s easy to sense their enjoyment as they play this...
Reviewed by DuncanDruce in issue: 8/2008
Few would doubt that Reginald Goodall’s conducting of Wagner’s Die Meistersinger was, for all its idiosyncrasy, deeply satisfying. In this...
Reviewed by Richard Osborne in issue: 9/2004
Jérémie Rhorer and his period orchestra Le Cercle de l’Harmonie were new names to me when I encountered them on...
Reviewed by Lindsay Kemp in issue: 4/2009
With this expertly transferred and packaged Melodiya reissue it’s the music itself that may be a problem. Rodion Shchedrin (b1932)...
Reviewed by David Gutman in issue: 7/2010
I reviewed the first volume of Paul Crossley's ongoing Debussy series earlier this year (Sony Classical, 4/93), and had several...
Reviewed by Christopher Headington in issue: 9/1993
Martha Argerich’s return to the studios in two concertos she has not previously recorded is an uplifting moment. As always...
Reviewed by Bryce Morrison in issue: 10/1998
It seems extraordinary that even though Rameau has at last been recognised (or should that be re-recognised?) as one of...
Reviewed by Lindsay Kemp in issue: 7/2000
In his classic biography of Martinu (Allen Wingate: 1962), Milos Šafránek states that in “the large and varied assortment of...
Reviewed by Guy Rickards in issue: 5/2007
During his visit to London in 1764-5 Mozart wrote, with a little paternal assistance, a set of six pieces in...
Reviewed by Stanley Sadie in issue: 5/1990
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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