Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The famous opening Charpentier Te Deum Fanfare sounds a bit thin - it ideally needs period instruments, but the Bizet...
Reviewed by Ivan March in issue: 6/2000
Whether it’s one’s first New Year Concert or 50th, there’s still something magical about the annual transmission from Vienna. It...
Reviewed by Andrew Lamb in issue: 3/2004
Only last month I welcomed a Capriccio disc of cantatas and songs by Telemann sung by Rene Jacobs. The programme...
Reviewed by Nicholas Anderson in issue: 12/1992
This satisfying compilation spans more than 40 years of Birtwistle‚ from a piano piece written in his midteens (Oockooing Bird)...
Reviewed in issue 11/2001
For their recordings of these works (2/98) DaCapo used a Danish orchestra and Welsh conductor (Arwel Hughes); here we have...
Reviewed in issue 4/1999
Callas's debut at Mexico City in the first performance of her Norma to have survived on records is every bit...
Reviewed by John Steane in issue: 5/2000
This is something very much out of the ordinary. These eight arias‚ taken variously from Gluck’s early operas (that is‚...
Reviewed in issue 13/2001
Quasthoff’s reputation has increased with each new disc‚ so it is a good idea of RCA’s to issue this composite...
Reviewed in issue 2/2002
Barshai recorded the Concerto for double string orchestra once before, over 20 years ago, with combined forces from Bath and...
Reviewed by Michael Oliver in issue: 9/1985
Prokofiev’s second opera is his most extreme, in its musical language if not in its story-line. In Dostoyevsky’s short story...
Reviewed in issue 10/1999
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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