Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Hot on the heels of the Dutton Laboratories' transfer of the 1939 Serafin version of the Verdi Requiem (reviewed by...
Reviewed by Edward Greenfield in issue: 9/1995
Rachmaninov’s Cello Sonata presents notorious balance problems. Though the composer took care in the Andante to give the two instruments...
Reviewed by John Warrack in issue: 2/2008
After the dismissive treatment that the revival of Hair received from the critics last September, it would be nice to...
Reviewed by Adrian Edwards in issue: 4/1994
I remember hearing (as a callow 17-year-old) the broadcast of Polyptyque’s premiere, given by Menuhin and the Zürich CO for...
Reviewed by Guy Rickards in issue: 8/2008
As Lewis Foreman explains in his very informative notes, this disc is effectively a tribute to the work and vision...
Reviewed by Jeremy Dibble in issue: 12/2011
Franz Schmidt is not generously represented in the current Gramophone Classical Catalogue and is not listed at all in the...
Reviewed by Robert Layton in issue: 7/1985
Gautier de Coincy appears to have led a rather retiring existence. None of the wand’ring minstrel about him: he was...
Reviewed by Fabrice Fitch in issue: 5/1996
Given the distance between the ‘authentic’ Fourths peddled by Mahler’s own disciples Mengelberg and Walter, Segerstam’s individualism cannot be ruled...
Reviewed by David Gutman in issue: 12/2000
One has to wonder about Brad Mehldau’s love life. The Love Songs he has penned for Anne Sofie von Otter...
Reviewed by Edward Seckerson in issue: 1/2011
Janos Starker recorded for Mercury on several occasions during the mid-1960s and it is timely to reassess these performances, now...
Reviewed by mjameson in issue: 4/1992
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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