Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It was in the mid 1960s that Bruno-Leonardo Gelber began to make a name for himself with a number of...
Reviewed by James Methuen-Campbell in issue: 9/1988
Ashkenazy's Rachmaninov cycle with Haitink has not, I think it would be fair to say, been generally rated an improvement...
Reviewed in issue 12/1987
Wolfgang Lendle, who burst upon the international scene a few years ago with his pyrotechnical variations on Paganini's Caprice No....
Reviewed by John Duarte in issue: 7/1989
This Lyon Opera staging was presented at the 1985 Edinburgh Festival, when Gardiner told me that he had spotted 470...
Reviewed by Alan Blyth in issue: 4/1996
All first recordings, these are not announced formally as an 80th birthday present to their composer, but if the timing...
Reviewed by John Steane in issue: 5/2009
There's a powerful, brooding melancholy pervading every bar of Patrick Hadley's 1931 symphonic ballad, The Trees so High; indeed, the...
Reviewed by Andrew Achenbach in issue: 10/1993
This seems to be a spin-off from the five-LP Thill issue that was welcomed in November 1985 by JBS, who...
Reviewed by Lionel Salter in issue: 1/1989
Schoenberg’s Gurrelieder has such an implacably dark heart that it’s possible to feel – even in a performance as fine...
Reviewed by Arnold Whittall in issue: 7/2011
Although these are unquestionably performances of impeccable musicality and taste, I found that Goldberg's tendency to underplay his part at...
Reviewed by James Methuen-Campbell in issue: 4/1990
Finnish trumpeter Jouko Harjanne, the third major young Scandinavian virtuoso of the instrument to have emerged in recent years alongside...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1996
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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