Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
By the time Sor wrote his first guitar duet he was 50 years old and had made Paris his final...
Reviewed by John Duarte in issue: 12/1997
Diana Yukawa is a 15-year-old Anglo-Japanese violinist who plays charmingly and has been well trained (by Rodney Friend). Her father...
Reviewed in issue 8/2001
It was Christopher Palmer who produced ''The Fenby Legacy'' (Unicorn-Kanchana DKP9008/9, 10/81), a recording of works with which Eric Fenby...
Reviewed in issue 12/1984
Fratres comes bounding in on a breathless, arpeggiated violin crescendo that stops suddenly in mid-air, revealing—in its immediate aftermath, and...
Reviewed in issue 6/1994
These two works are not paired on any currently available record of Dvorak's chamber music, and they go well together....
Reviewed by John Warrack in issue: 5/1994
Schubert's symphonic slow movements seem on the whole to draw more from Muti than do Beethoven's, but then one would...
Reviewed by Stephen Johnson in issue: 3/1989
At Parma in 2001 they had a creditable Norma; at Orange, on a wind-swept, genius-driven night in 1974, they had...
Reviewed by John Steane in issue: 3/2003
Several reviewers, comparing LPs with the Compact Disc, have spoken of the effect of lifting a veil. Making for the...
Reviewed by John Warrack in issue: 1/1984
Though our modern age continues to extol The Planets as most archetypal of its composer, this recording of music written...
Reviewed by Jeremy Dibble in issue: 2/2009
What a splendid idea to make a feature of Cage's percussion music from 1939-43! At this time he was a...
Reviewed by Peter Dickinson in issue: 9/1992
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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