Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Too long absent from the studios, Cristina Ortiz returns with a heady brew from what the booklet-note so aptly calls...
Reviewed by Bryce Morrison in issue: 2/2006
Although he wrote a good number of works for the cello throughout his career, Martinu’s three numbered sonatas date from...
Reviewed by Guy Rickards in issue: 13/2008
The virtually untapped gold mine of Alessandro Scarlatti's cantatas - there are more than 600, of which only a handful...
Reviewed by Stanley Sadie in issue: 5/2000
Tobias Hume (c1570-1645) was a professional soldier and a ‘gentleman’ (read amateur) composer, and virtuoso of the bass viol. His...
Reviewed by DuncanDruce in issue: 12/2004
The success of André Previn’s first opera has been remarkable‚ and I can remember few things like it in the...
Reviewed in issue 13/2001
What’s with this goth-outfitted pianist sporting unruly hair, seated at a concert grand in the forest, with a swan to...
Reviewed by Jed Distler in issue: 9/2011
When I wrote about Leon McCawley’s superb set of Hans Gál’s piano music (11/05) I remarked that the four Gál...
Reviewed by Rob Cowan in issue: 13/2007
The four works on this disc come from Monteverdi's Eighth Book of Madrigals—his Madrigali guerrieri et amorosi (''Warlike and Amorous...
Reviewed by Lindsay Kemp in issue: 9/1992
Holst placed his Suite de ballet firmly among his self-styled ''Early Horrors'', and Imogen Holst duly flinched at ''the banality...
Reviewed by John Warrack in issue: 8/1985
Lélio, Berlioz’s dramatic sequel to the Symphonie fantastique, is never going to command wide popularity, but it is well worth...
Reviewed by John Warrack in issue: 9/2007
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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