Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Vieuxtemps’s Fifth Violin Concerto opens disarmingly, but the tutti gathers strength in Dutoit’s hands before Chang steals in silkily (at...
Reviewed by Ivan March in issue: 5/1996
As Figaro, Gobbi revels - almost too ebulliently - in the plenitude of his youthful powers, always a lively presence....
Reviewed by Alan Blyth in issue: 1/2000
Here is another important issue to confirm Peter Schreier as king among Lieder interpreters today. It seems that he is...
Reviewed by Alan Blyth in issue: 6/1991
The verismo twins were conceived not quite simultaneously, the first (Mascagni's half) occurring just about 100 years ago, at the...
Reviewed in issue 1/1989
Few Lieder singers match Angelika Kirchschlager in vibrant stage personality. Even heard “blind”, the Austrian mezzo vividly illuminates each of...
Reviewed by Richard Wigmore in issue: 2/2011
The Concerto for two pianos begins here with tremendous attack, reminding me more than usual of the Balinese gamelan which...
Reviewed by Christopher Headington in issue: 8/1991
Antonio Guarnieri (1880-1952) may now be a forgotten figure but in his day he was a much-respected conductor—at least in...
Reviewed by Alan Blyth in issue: 6/1990
The latest instalment in what promises to be a complete cycle of Mozart's sonatas for keyboard and violin contains one...
Reviewed by Richard Wigmore in issue: 12/1990
Never one merely to revisit what he has done before with a repertory piece, Colin Davis's work with Fidelio is...
Reviewed by Mike Ashman in issue: 3/2007
The relatively youthful, Cologne-based Auryn Quartet approach late Beethoven in a briskly incisive if somewhat impetuous frame of mind, their...
Reviewed by mquinn in issue: 4/1998
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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