Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The flautist-composer Dave Heath first came to prominence in 1978 with Out of the Cool, which openly flaunted the influence...
Reviewed by mharry in issue: 10/1997
Topical or not, the horrific tale of a quadriplegic murderer who ''disposed of his victims in a particularly heinous fashion''...
Reviewed in issue 6/1994
Hard on the heels of Polyansky’s Chandos account comes yet another Schnittke Second Symphony, this time from the man who...
Reviewed in issue 8/1997
In the mid-1970s, when the revival of Korngold’s music got underway, not even the most ardent enthusiast can have imagined...
Reviewed by Patrick O'Connor in issue: 12/1998
Mischa Levitzky died at 42 in 1941. This bald fact probably accounts for his small recorded output. His detractors (including...
Reviewed by Nalen Anthoni in issue: 4/2004
All the nine symphonies that Spohr acknowledged are now available on record (he suppressed a tenth), and duplication is setting...
Reviewed by John Warrack in issue: 2/1994
This really is a mixed bag. The earliest recordings, the Homochords, have pretty intolerable surface noise, so much so that...
Reviewed by James Methuen-Campbell in issue: 3/1994
North German-born Hasse led a brilliantly successful, cosmopolitan life. Vienna, Turin, Rome, Naples and Venice were all on his itinerary,...
Reviewed by Nicholas Anderson in issue: 2/1999
If the term Missa brevis implies a work of slender dimensions intended for everyday use, then Kodaly's choice of that...
Reviewed in issue 2/1989
My abiding memory of this historic revival of Rossini's Bianca e Falliero, semi-staged in the Auditorium Pedrotti at the 1986...
Reviewed by Richard Osborne in issue: 9/1994
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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