Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Shchedrin's ballet has been one of his most successful scores, well liked in the Soviet Union by both public and,...
Reviewed by John Warrack in issue: 8/1989
I have seldom encountered so wholly satisfactory a traversal of Verdi’s closing masterpiece, one that fulfils all one’s wishes on...
Reviewed by Alan Blyth in issue: 2/2005
Toscanini took up Ravel's orchestration of Pictures at an Exhibition very soon after it became generally available, and it remained...
Reviewed in issue 2/1992
Hot on the heels of Koch's superb Rozsa concert (9/93) comes this equally successful and very welcome disc of orchestral...
Reviewed by rseeley in issue: 10/1993
This selection of Salieri overtures covers almost the whole of his 30-year operatic career and a range of work from...
Reviewed by Stanley Sadie in issue: 1/1994
A glance at my comparative trio will tell you that we’ve not been short of memorable readings of Pelléas et...
Reviewed by Andrew Achenbach in issue: 3/2004
This performance is dubbed “world premiere recording” on the grounds that it enshrines all Mahler’s original thoughts on the work....
Reviewed by Alan Blyth in issue: 13/1998
The Sorrel Quartet go a fair way to convincing me that their performances of Britten’s quartet music are worth hearing...
Reviewed by Arnold Whittall in issue: 9/1996
In Italian it means “amusement”. Apply it to music and “divertimento” could mean light or recreational. For the Hermitage String...
Reviewed by Nalen Anthoni in issue: 3/2011
When I reviewed the recording of Bach’s four Orchestral Suites by this group (Harmonia Mundi, 8/96), I remarked that performances...
Reviewed by Nicholas Anderson in issue: 2/1999
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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