Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Heinrich Baermann (1784-1847) was the great clarinettist of his day, principal in the royal orchestra in Munich for most of...
Reviewed by Edward Greenfield in issue: 10/2002
The plot of Tamerlano may on the face of it seem a rather feeble one. But ultimately‚ at least at...
Reviewed in issue 7/2002
With one exception, Brahms's piano variations are early works, written in the decade ending in the year of his thirtieth...
Reviewed by Christopher Headington in issue: 5/1992
This second recording in Sophie Yates’s Rameau series (the first was released four years ago, 12/00) has it all –...
Reviewed by Julie Anne Sadie in issue: 12/2004
Sallinen’s reputation rests mainly on his operas but his output covers most of the major genres from string quartets to...
Reviewed by Guy Rickards in issue: 5/2010
Finland's most prominent composer from the generation after Sibelius now has more than a toehold in the catalogue, at least...
Reviewed by David Fanning in issue: 11/2002
The voice (already known to us as Adalgisa’s in the Muti/Eaglen Norma – EMI, 10/95) is delightfully pure, bright without...
Reviewed in issue 1/1996
The praises of Gluck's Iphigenie en Tauride are sung a good deal more often than the opera itself. Written for...
Reviewed by Stanley Sadie in issue: 6/1986
In Sir Colin Davis's new recording of Oedipus Rex the virtues of a fine Stravinskian are apparent. The pace is...
Reviewed by Arnold Whittall in issue: 6/1984
This is a jewel, both for its music and in its performance. The title, 'Distant Love', is described by Margaret...
Reviewed by mberry in issue: 5/2000
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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