Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This was Leonard Rose's last recording, made at the Chateau de Malesherbes, France, in August 1982. The booklet includes a...
Reviewed by Joan Chissell in issue: 4/1989
There are great classic analogue recordings of Ibéria from Reiner (RCA‚ 1/90R)‚ Haitink (Philips‚ 3/94)‚ and Paray (Mercury‚ 6/95R)‚...
Reviewed in issue 3/2002
This belated 'memorial' issue brings together two of Bernstein's most successful concert works (written more than 30 and taped nearly...
Reviewed in issue 6/1994
This CD recreates music that lies only just within the shadows of musicological research. For one thing, the identity of...
Reviewed by Fabrice Fitch in issue: 2/2003
Thank heavens for such independent labels as Biddulph, Tahra, Dante Lys, Pearl, Dutton, APR and others like them, for were...
Reviewed in issue 6/1999
The Tortelier/Beecham version of Don Quixote first appeared on CD in harness with Sir Thomas's account of the suite from...
Reviewed by Robert Layton in issue: 12/1995
This newly compiled two-CD album from Decca – I’m happy that the lyre-bird logo of Editions de l’Oiseau-Lyre has survived,...
Reviewed by Nicholas Anderson in issue: 13/1998
Amidst a host of treasured Aldeburgh memories dating right back to the festival's inception, nothing in my mind glows more...
Reviewed by Joan Chissell in issue: 7/1990
The current Gramophone Compact Disc Guide & Catalogue lists five Petrushkas and six versions of the Rite of Spring. Only...
Reviewed by Robert Layton in issue: 4/1987
Weill's Violin Concerto, although composed four years before Die Dreigroschenoper, is a definite precursor of the sound we associate with...
Reviewed by Patrick O'Connor in issue: 2/1994
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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