Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
As in previous instalments in Collins Classics’s exemplary Britten edition, Steuart Bedford brings a keen perception and rare intelligence to...
Reviewed by Andrew Achenbach in issue: 12/1998
Michel Beroff for EMI arguably finds subtler shadings, a richer palette of nuance in these perpetually fascinating pieces, but for...
Reviewed by Edward Seckerson in issue: 3/1990
This well filled disc duplicates exactly the same repertoire that appeared on a 1993 recording with the Royal Philharmonic under...
Reviewed by Jeremy Nicholas in issue: 6/2009
The Cambridge Taverner Choir's first recording reflects the research interests of its director Owen Rees: Renaissance polyphony from Portugal. This...
Reviewed by Tess Knighton in issue: 1/1994
If we leave aside the separate pieces that Grove lists as Beethoven's bagatelles, one of which is Fur Elise, there...
Reviewed by Christopher Headington in issue: 8/1992
This is the sort of experience which makes small boys want to become organists. Not only is it first-class entertainment,...
Reviewed in issue 7/1985
Three grand Tchaikovsky scores are evidently not enough! A telephone call in 1995 from Derek Deane, then the artistic director...
Reviewed by Andrew Lamb in issue: 8/2009
Now this really is something – a fully fired-up Menuhin, high on adrenalin and relishing the thrill of the moment....
Reviewed in issue 11/1999
A distinguished choral conductor, Valery Polyansky's orchestral ventures have often struck me as more dutiful than inspired. As a Rozhdestvensky...
Reviewed by David Gutman in issue: 2/2000
With the retirement of its great director William Lyne and the recent resignation of his successor Paul Kildea, the Wigmore...
Reviewed by John Steane in issue: 12/2005
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.