Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The baddies always are more fun; in opera and musical theatre they are that much larger than life, too. Small...
Reviewed by Edward Seckerson in issue: 11/2009
Bertini is by far the more persuasive of these new arrivals: his buoyant and open-faced Mahler Fourth exudes bright-eyed innocence...
Reviewed by Edward Seckerson in issue: 7/1991
It would be hard, if not impossible today, to assemble such a secure-voiced and accomplished cast as this for Ballo,...
Reviewed by Alan Blyth in issue: 9/1990
Venturesome and wide-ranging in its repertoire as this college choir is, it has not previously been heard on records in...
Reviewed in issue 11/1992
The Musicians of Swanne Alley have been on to a good thing from the start. The Folger Consort and other...
Reviewed in issue 11/1989
Here is a discovery, perhaps the most promising Jugendlich-Dramatische soprano to burst on the scene since Studer. With a full,...
Reviewed by Alan Blyth in issue: 1/1994
To mark the Tippett centenary EMI Classics adds these three reissues to the pair of discs already available: vocal music...
Reviewed by Arnold Whittall in issue: 6/2005
Anyone who thinks Toscanini, Karajan and Carlos Kleiber are the only conductors who have known how to conduct Verdi's penultimate...
Reviewed by Alan Blyth in issue: 9/1991
This is a slightly perplexing record, but one I have now played several times, with increasing pleasure. ‘Unpublished’ is a...
Reviewed in issue 1/2001
Somewhat muzzy orchestral sound aside, this long neglected set, dating from 1953, has a deal to offer. Max Rudolf’s view...
Reviewed by Alan Blyth in issue: 11/2002
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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