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Review of BONDS Credo. Simon Bore the Cross

BONDS Credo. Simon Bore the Cross

Margaret Bonds (1913 72) studied with Florence Price at high school (she also had tuition later from Roy Harris and...

Reviewed by Guy Rickards in issue: 04/2023

Review of Motets of the Bach Family (Ensemble Polyharmonique. Tölzer Knabenchor)

Motets of the Bach Family (Ensemble Polyharmonique. Tölzer Knabenchor)

Bach drafted an annotated genealogy of his extensive musical family in about 1735 and he had a collection of mostly...

Reviewed by David Vickers in issue: 04/2023

Review of Sola: Music for Viola by Women Composers (Rosalind Ventris)

Sola: Music for Viola by Women Composers (Rosalind Ventris)

Recent releases such as song-cycles by Robert Hugill (Navona, 1/18) or the Celtic-inspired miscellany ‘Between Earth and Sea’ (Tyˆ Cerdd)...

Reviewed by Richard Whitehouse in issue: 04/2023

Review of Anthony Romaniuk: Perpetuum

Anthony Romaniuk: Perpetuum

Anthony Romaniuk follows up his brilliant ‘Bells’ (11/20) with ‘Perpetuum’, another stimulating and imaginatively curated programme of short pieces and...

Reviewed by Jed Distler in issue: 04/2023

Review of Chopin's Epoque: Piano Works By Gutmann, Filtsch, Mikuli, Fontan, Rothschild & Tellefsen

Chopin's Epoque: Piano Works By Gutmann, Filtsch, Mikuli, Fontan, Rothschild & Tellefsen

So all-embracing was Chopin’s influence on piano composition that few composers writing in the idiom (rather than that of Schumann,...

Reviewed by Jeremy Nicholas in issue: 04/2023

Review of Hopkinson Smith: Bright & Early

Hopkinson Smith: Bright & Early

If anything, ‘late style’ is more about a renewed sense of freedom, of expanded possibilities, of a more capacious creativity,...

Reviewed by William Yeoman in issue: 04/2023

Review of Romeo & Juliet: Tchaikovsky on the Piano (Yevgeny Sudbin)

Romeo & Juliet: Tchaikovsky on the Piano (Yevgeny Sudbin)

It must have been quite a headache for BIS to come up with a title for Yevgeny Sudbin’s latest album....

Reviewed by David Fanning in issue: 04/2023

Review of SCHUBERT Piano Sonatas D537; 959 (Garrick Ohlsson)

SCHUBERT Piano Sonatas D537; 959 (Garrick Ohlsson)

This is quite an inspired pairing, even if it risks giving you the mother of all earworms after hearing one...

Reviewed by Michelle Assay in issue: 04/2023

Review of MOZART Piano Sonatas, Volume 6 (Peter Donohoe)

MOZART Piano Sonatas, Volume 6 (Peter Donohoe)

Peter Donohoe launched his Mozartian labour of love a little over four years ago (4/19) and completes it with a...

Reviewed by David Threasher in issue: 04/2023

Review of LITOLFF Piano Music, Vol 1 (Tingyue Jiang)

LITOLFF Piano Music, Vol 1 (Tingyue Jiang)

Very little of Litolff’s music has appeared on record – surprising for a pianist-composer who in his day (1818 91)...

Reviewed by Jeremy Nicholas in issue: 04/2023

Review of JONGEN 13 Preludes. 24 Petits Preludes Dans Tous Les Tons (Ivan Ilić)

JONGEN 13 Preludes. 24 Petits Preludes Dans Tous Les Tons (Ivan Ilić)

Most people, I suppose, associate the Belgian composer Joseph Jongen (1873-1953) with organ music, most notably his wonderful Sinfonia concertante...

Reviewed by Jeremy Nicholas in issue: 04/2023

Review of FRESCOBALDI Fiori Musicali (Richard Lester)

FRESCOBALDI Fiori Musicali (Richard Lester)

I read in three reference sources – none written in the last 40 years – that Fiori musicali (‘Musical Flowers’)...

Reviewed by Lindsay Kemp in issue: 04/2023

Review of Rafał Blechacz: Chopin

Rafał Blechacz: Chopin

Given his extraordinary gifts, the Polish pianist Rafał Blechacz (now 37 years old) manages to keep an extraordinarily low profile....

Reviewed by Jeremy Nicholas in issue: 04/2023

Review of BRUCKNER The Symphonies (Organ Transcriptions), Vol 5 (Hansjörg Albrecht)

BRUCKNER The Symphonies (Organ Transcriptions), Vol 5 (Hansjörg Albrecht)

By 2024 Hansjörg Albrecht plans to have finished recording the first complete set of Bruckner’s 10 symphonies in organ arrangements,...

Reviewed by Malcolm Riley in issue: 04/2023

Review of Benjamin Grosvenor: Schumann & Brahms

Benjamin Grosvenor: Schumann & Brahms

In her excellent booklet notes, Katy Hamilton quotes Clara Wieck (still Robert Schumann’s fiancée) on Kreisleriana: ‘Sometimes your music actually...

Reviewed by Peter J Rabinowitz in issue: 04/2023

Review of BOWEN; MEDTNER; RACHMANINOV Works for two pianos (Moog, Adomeit)

BOWEN; MEDTNER; RACHMANINOV Works for two pianos (Moog, Adomeit)

Joseph Moog and Kai Adomeit are so well matched that you can hardly tell the pianists apart. In the opening...

Reviewed by Jed Distler in issue: 04/2023

Review of Mirrored in Time

Mirrored in Time

This is an intelligently planned, finely played album for trombone and string quartet, part recital of contemporary music, part hypothesis...

Reviewed by Guy Rickards in issue: 04/2023

Review of Berlioz's Lost Oboe: Early French Romantic Music For Oboe and Piano

Berlioz's Lost Oboe: Early French Romantic Music For Oboe and Piano

A century before Rodrigo immortalised the palace of Aranjuez in his guitar Concierto (1939), oboist-composer Stanislas Verroust (1814 63) composed...

Reviewed by Guy Rickards in issue: 04/2023

Review of SHOSTAKOVICH Works Unveiled

SHOSTAKOVICH Works Unveiled

Shostakovich was extremely lucky in at least one respect: in his declining years he married a woman who was perfect...

Reviewed by Marina Frolova-Walker in issue: 04/2023

Review of SCHUBERT Works for Piano Trio. Arpeggione Sonata

SCHUBERT Works for Piano Trio. Arpeggione Sonata

How does one review a recording of this nature? The very last studio activity of the late Lars Vogt, a...

Reviewed by David Threasher in issue: 04/2023





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