Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Now here’s a genuine find. Premiered to enormous acclaim at the 1873 Birmingham Musical Festival, the 31-year-old Arthur Sullivan’s large-scale...
Reviewed by Andrew Achenbach in issue: 02/2019
Given his renown as a composer of madrigals, it comes as a shock that Cipriano de Rore’s discography is so...
Reviewed by Fabrice Fitch in issue: 02/2019
Asked by the Zurich period orchestra La Scintilla to choose a work for a charity performance, Nikolaus Harnoncourt gave a...
Reviewed by Richard Wigmore in issue: 02/2019
The size and nature of forces employed in the history of Messiah, and their impact on performance practices over the...
Reviewed by Jonathan Freeman-Attwood in issue: 02/2019
The longest of Handel’s five settings of the Te Deum canticle was probably composed in 1718 or perhaps early 1719...
Reviewed by David Vickers in issue: 02/2019
‘My hero is Benjamin Britten.’ This affirmation comes in a discussion from 2011 between Cheryl Frances-Hoad and Andrew Palmer, and...
Reviewed by Arnold Whittall in issue: 02/2019
Karsten Storck is not a name I’ve previously encountered in the music of Bruckner but this performance of the F...
Reviewed by Christian Hoskins in issue: 02/2019
The young American baritone John Chest has already received lavish praise in these pages. Tim Ashley described his contribution to...
Reviewed by Hugo Shirley in issue: 02/2019
It’s barely a few years ago that the Berlioz champion and biographer David Cairns placed what was virtually an advertisement...
Reviewed by Mike Ashman in issue: 02/2019
The sudden death in February 2016 of the Pulitzer Prize-winning composer Steven Stucky came as a major shock not just...
Reviewed by Guy Rickards in issue: 02/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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