Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It seems everything needs a theme these days, so here we have from Alexander Lonquich Schubert’s last piano works in...
Reviewed by Harriet Smith in issue: 02/2019
The third ‘year’ of Liszt’s Années de pèlerinage is something of a connoisseur’s collection, containing as it does only one...
Reviewed by David Fanning in issue: 02/2019
Roman Rabinovich was born in 1985 in Tashkent and studied in Israel and at the Juilliard School. He has given...
Reviewed by David Threasher in issue: 02/2019
The success of Philip Glass’s music to Stephen Daldrey’s 2002 film The Hours has spawned several recordings of the piano...
Reviewed by Pwyll ap Siôn in issue: 02/2019
The aesthetic and technical demands of Debussy’s Études and Ravel’s Gaspard de la nuit represent a badge of honour, even...
Reviewed by Jed Distler in issue: 02/2019
A new recording by Ashkenazy as pianist is always newsworthy; but the real (re-)discovery here is his account of the...
Reviewed by Michelle Assay in issue: 02/2019
During the past two seasons, Pollini has toured with programmes that devoted ample space to Chopin. His victory at the...
Reviewed by Patrick Rucker in issue: 02/2019
Contrary to what you might think, there have been several CDs devoted entirely to the piano music of Cécile Chaminade....
Reviewed by Jeremy Nicholas in issue: 02/2019
The pianists write in their booklet accompanying this release that Jean-François Heisser made this transcription over 30 years ago. It...
Reviewed by Jeremy Nicholas in issue: 02/2019
This is – in the best possible sense – a high-calorie recital, and I wonder if the way it’s presented...
Reviewed by Richard Bratby in issue: 02/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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