Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
‘Olli and I find it quite masterly – and addictive’, Steven Isserlis writes in a booklet note on Kabalevsky’s Cello...
Reviewed by Tim Ashley in issue: 02/2019
Few of the concertante works premiered by Mstislav Rostropovich enjoy repertoire status. Among them, the concertos by Lutosławski and Dutilleux...
Reviewed by Richard Whitehouse in issue: 02/2019
Any fan of Lieder will have rubbed their hands with anticipation when it was revealed a couple of years ago...
Reviewed by Hugo Shirley in issue: 02/2019
The heart might justifiably sink at the prospect of a classical star releasing an album that concludes with ‘Climb ev’ry...
Reviewed by Hugo Shirley in issue: 02/2019
Stephan Loges’s recent appearances on disc have been largely in oratorio and earlier Lieder (by Mendelssohn), but here he offers...
Reviewed by Hugo Shirley in issue: 02/2019
Though a standard combination in Italy at the beginning of the 16th century, voice and lute are not heard today...
Reviewed by Fabrice Fitch in issue: 02/2019
It was shortly after Rossini’s death in November 1868 that Verdi proposed the writing of a Messa per Rossini, a...
Reviewed by Richard Osborne in issue: 02/2019
‘Enchanted Isle’ is a disc in the throes of an identity crisis. Presumably designed to straddle the elusive classical-popular divide,...
Reviewed by Alexandra Coghlan in issue: 02/2019
Here is a delightful disc made to an interesting recipe: Lamentation texts in alternation with joyful settings of Regina caeli...
Reviewed by Edward Breen in issue: 02/2019
In the depths of winter, who isn’t longing for a summer holiday, and – even better – a holiday romance?...
Reviewed by Neil Fisher in issue: 02/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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