Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Those disinclined to acquire Marin Alsop’s Bernstein edition in boxed form, handsome though it is, will welcome the release of...
Reviewed by David Gutman in issue: 11/2018
In the documentary Voyage to Cythera, Berio makes it clear that the many musical references in the third movement of...
Reviewed by Andrew Farach-Colton in issue: 12/2018
Kent Nagano’s absence from the UK for two decades has been to others’ benefit – not least the Bavarian State...
Reviewed by Richard Whitehouse in issue: 12/2018
I’m not entirely sure why the name of the great early 20th-century Beethoven conductor Felix Weingartner came to mind as...
Reviewed by Richard Osborne in issue: 12/2018
This new account of Beethoven’s last two piano concertos finds Nicholas Angelich in the company of Laurence Equilbey’s period-instrument Insula...
Reviewed by Harriet Smith in issue: 12/2018
The Ferio Saxophone Quartet made their debut on Chandos last year with ‘Flux’, an imaginatively programmed disc of Romantic and...
Reviewed by Richard Bratby in issue: 12/2018
The remit of the Marsyas Trio is ‘to inspire a generation of new works’ for the combination of flute, cello...
Reviewed by Guy Rickards in issue: 12/2018
Rock legend Roger Waters, co-founder of Pink Floyd and creator of The Wall, joins forces with players from Long Island’s...
Reviewed by Tim Ashley in issue: 12/2018
William Sterndale Bennett completed his String Quartet in 1831; he was 15 and halfway through his 10 years of study...
Reviewed by Andrew Farach-Colton in issue: 11/2018
The surface finish of these performances by the Van Kuijk Quartet is astonishing, and particularly so given the quartet formed...
Reviewed by Andrew Farach-Colton in issue: 12/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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