Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
If the music of Agostino Steffani is no longer a complete unknown (thanks largely to the efforts of Cecilia Bartoli...
Reviewed by Alexandra Coghlan in issue: 06/2016
This celebratory nod towards the 150th anniversary of Erik Satie’s birth aptly demonstrates something that every Satie aficionado ought to...
Reviewed by Philip Clark in issue: 06/2016
Several complete recordings exist of Palestrina’s sacred madrigal cycle on the biblical Song of Songs. For this reason, perhaps, The...
Reviewed by Fabrice Fitch in issue: 06/2016
Most of Arianna’s Lament from Monteverdi’s lost opera Arianna (1608) survives in his Sixth Book of Madrigals (1614) as a...
Reviewed by David Fallows in issue: 06/2016
Posthumous prints of music by the recently deceased often consist of offcuts and dredgings-up from the bottom of the drawer,...
Reviewed by Fabrice Fitch in issue: 06/2016
This is the third period-instrument Elijah (or Elias, as it must be here) on the market. No less than the...
Reviewed by Peter Quantrill in issue: 06/2016
A new recording of Machaut’s Mass is always an event, and this one is compelling and provocative in equal measure:...
Reviewed by Fabrice Fitch in issue: 06/2016
Tassis Christoyannis and Jeff Cohen’s Benjamin Godard album forms a sequel to their surveys of Félicien David and Edouard Lalo...
Reviewed by Tim Ashley in issue: 06/2016
Even diligent Italian Baroque specialists won’t know much about Alessandro Della Ciaia (c1605-c1670), an aristocrat in mid-17th-century Siena reputed to...
Reviewed by David Vickers in issue: 06/2016
Frieder Bernius is a Bachian whose work with his choir and period orchestra in Stuttgart has quietly made its mark...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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