Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Having made enjoyable recordings of the Op 2 (c1731) and Op 5 (1739) collections of trio sonatas, it makes perfect...
Reviewed by David Vickers in issue: 06/2016
Is James Ehnes capable of making a sound that isn’t beautiful? If you’ve been following his career you’ll already have...
Reviewed by Richard Bratby in issue: 06/2016
The two works Chopin wrote for cello and piano at either end of his career are here placed in reverse...
Reviewed by Jeremy Nicholas in issue: 06/2016
Judging a book by its cover is rightly frowned upon, but you can sure tell a lot about a string...
Reviewed by Philip Clark in issue: 06/2016
The two vintage Austrian Radio concert broadcasts combined and upgraded here – in vision and, perhaps, sound (no details) –...
Reviewed by Mike Ashman in issue: 06/2016
Most of this concert, recorded live at the Berlin Philharmonie last New Year’s Eve, is like being driven in the...
Reviewed by Jeremy Nicholas in issue: 06/2016
This most welcome second volume of British overtures serves to accentuate the sheer diversity of works this country produced in...
Reviewed by Jeremy Dibble in issue: 06/2016
Sometimes a work’s ubiquity blinds us to its brilliance. Familiarity breeds – albeit amiable, cosy – contempt. Rodrigo’s Concierto de...
Reviewed by William Yeoman in issue: 06/2016
The best thing about this disc is the programme, followed closely by the recorded sound and, a short distance behind...
Reviewed by Jeremy Nicholas in issue: 06/2016
No sooner had I greeted Lyrita’s enterprising refurbishment of Stanford Robinson’s 1956 BBC broadcast of RVW’s Falstaff opera Sir John...
Reviewed by Andrew Achenbach in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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