Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
René Jacobs’s rethinking of the spatial relationships between choirs, players and soloists in his recording of the St Matthew Passion...
Reviewed by Lindsay Kemp in issue: 06/2016
‘Neglected Works for Piano’ is all that the front of Bengt Forsberg’s new CD reveals. The fact that they’re all...
Reviewed by Harriet Smith in issue: 06/2016
Few would argue that the international competition circuit has significantly raised the level of piano-playing worldwide. Yet the high stakes...
Reviewed by Patrick Rucker in issue: 06/2016
Janina Fialkowska previously impressed me with her accounts of Schubert’s Sonatas D664 and 894. Her reading of the E flat...
Reviewed by Harriet Smith in issue: 06/2016
The Spanish nationalism that saw composers as diverse as Albéniz, Falla and Rodrigo look to traditional and archaic musics for...
Reviewed by William Yeoman in issue: 06/2016
Paganini was already 46 when he first left his native Italy for a series of concerts throughout Europe. The effect...
Reviewed by Jeremy Nicholas in issue: 06/2016
Yulianna Avdeeva’s first prize in the 2010 Chopin Competition was not without controversy. Hearing her play Shostakovich last year in...
Reviewed by David Fanning in issue: 06/2016
Paavali Jumppanen’s Beethoven cycle gets better with each new instalment and nearly everything here is a keeper. He obviously adores...
Reviewed by Jed Distler in issue: 06/2016
As in Jonathan Biss’s first four Beethoven discs, Vol 5 offers a mix of works from various periods. It adds...
Reviewed by Jed Distler in issue: 06/2016
No one could accuse Christophe Rousset of rushing to record The Well-Tempered Clavier; Book 1 arrives a year after Book...
Reviewed by Lindsay Kemp in issue: 06/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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