Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Haitink's 1979 recording of Bruckner's Seventh Symphony is predictably distinguished, not as classically gaunt as his earlier Concertgebouw recording, with...
Reviewed by Richard Osborne in issue: 11/1987
There are some operas that you may not claim to know very well but which nevertheless swing easily into mind....
Reviewed by John Steane in issue: 11/2005
Can blue men sing the whites? When established opera and concert singers try to boogie on down with rock, emote...
Reviewed by Mike Ashman in issue: 12/2006
With this fine account of the First Symphony, Vladimir Ashkenazy and the Philharmonia Orchestra complete their Sibelius cycle for Decca—and...
Reviewed by Robert Layton in issue: 5/1986
This admirable recital forms a sequel to Stephen Hough’s Gramophone Award-winning Chandos disc of the A minor and...
Reviewed by Bryce Morrison in issue: 1/1998
It is good to have this collection of Strauss's music for brass transferred to CD. The sound is clear throughout...
Reviewed in issue 1/1989
Like Nyman’s earlier opera Man and Boy: Dada (6/05), Love Counts has a libretto by Michael Hastings, uses the Michael...
Reviewed by Peter Dickinson in issue: 7/2007
Both these discs are first instalments of complete Beethoven sets, and both offer technically secure performances with plenty of character....
Reviewed by DuncanDruce in issue: 3/2004
Many are the concertos attributed to Haydn but these three are undisputedly authentic. The keyboard part in No 4 is...
Reviewed by Nalen Anthoni in issue: 4/2005
Along with the violin concertos and the Brandenburgs, the four Orchestral Suites have over a long period of time been...
Reviewed by Lindsay Kemp in issue: 5/1997
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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