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Moszkowski Complete Piano Transcriptions

“After Chopin,” wrote Paderewski, “Moritz Moszkowski best understands how to write for the piano” – a view reflected in these...

Reviewed by Jeremy Nicholas in issue: 2/2009

Karajan The Vienna Years

This second tranche of EMI’s Karajan Edition takes us back to the post-war years in Vienna, to the world of...

Reviewed by Richard Osborne in issue: 9/1997

International Tchaikovsky Competition, Vol. 1

This recording (made after rather than during the 1962 occasion) is the first in a series celebrating Moscow’s International Tchaikovsky...

Reviewed by Bryce Morrison in issue: 8/1998

Gregson Concertos Vol 3

Edward Gregson, for 12 years Principal of the Royal Northern College of Music (1996-2008), is here represented by a sequence...

Reviewed by Edward Greenfield in issue: 3/2011

Falla Stage Works

This is the best of the CD transfers of historic Ansermet recordings so far and anyone who wants to hear...

Reviewed by Edward Greenfield in issue: 6/1985

Las Mujeres y Cuerdas

The album title is that of the final song, Sor’s Las mujeres y cuerdas, with its caveat that both women...

Reviewed by John Duarte in issue: 2/1996

Gershwin Orchestral Works

There are legions of recordings of this repertoire to choose from and you may not get the best performance of...

Reviewed by Peter Dickinson in issue: 11/1991

Berlioz/Bizet/Delibes Opera excerpts

Inghelbrecht was in many ways a reliable conductor. That is, he could be relied upon to be demanding, bad-tempered, intransigent,...

Reviewed by rnichols in issue: 11/2002

Bernstein/Copland Choral works

This is a fascinating release—it brings an Ives masterpiece, Psalm 90, into the British catalogue for the first time; also...

Reviewed by Peter Dickinson in issue: 10/1991

Baroque Trio Sonatas

Here is an attractive programme of late-baroque trio sonatas. The two Locatelli works are unpublished as is the G major...

Reviewed by Nicholas Anderson in issue: 10/1990

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